The Project Gutenberg eBook of Kid Stuff, by Winston Marks
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at
www.gutenberg.org. If you
are not located in the United States, you will have to check the laws of the
country where you are located before using this eBook.
Title: Kid Stuff
Author: Winston Marks
Release Date: February 5, 2022 [eBook #67325]
Language: English
Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
*** START OF THE PROJECT GUTENBERG EBOOK KID STUFF ***
KID STUFF
By WINSTON MARKS
Practice makes perfect in some
cases—but not in this eerie instance!
[Transcriber's Note: This etext was produced from
Infinity Science Fiction, November 1955.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
Why me? Why, out of 300 billion people on earth, why did they have to
pick on me?
And if it had to happen, why couldn't it have happened before I met
Betty and fell in love with her? You see, Betty and I were to be
married tomorrow. We were to have been married. Tomorrow.
Tomorrow, indeed! What a ghastly thought that is! How can I explain
to Betty—to anyone! I can't face her, and what could I say on the
telephone? "Sorry, Betty, I can't marry you. I'm no longer—quite
human."
Quit joking, Kelley! This is for real. You're sober and awake and it
did happen. Marrying Betty is out of the question even if she'd have
you the way you are. You're not that two-faced!
Quit standing in front of the mirror, naked and shaking, looking
for scars, counting your fingers and toes. You've taken a hundred
inventories, and it always comes out wrong. And it always will,
unless ... unless they come back. But that's hopeless. They'd never
find me again. Not out of all the people on earth. Besides, they
didn't seem to give a damn. No more than a kid gives a damn what
happens to a lump of modelling clay when he gets bored squeezing it
into this shape and that.
Where did they come from? Or, judging from their "talk," when did
they come from? And would it do me any good if I knew?
I was sitting there in my bachelor apartment, drinking a can of
beer and trying to work a crossword puzzle to get sleepy. I wasn't
especially jittery like the groom is always supposed to be on the eve
of his wedding. Just wide awake at midnight, wanting to get sleepy so I
could get some real rest when I went to bed.
Just sitting there trying to think of a two-letter word for "sun-god."
And that made me think of the gold in Betty's hair when the sun was on
it at the beach. And pretty soon I was just staring into space, aching
for Betty, wishing the next twelve hours of my life would vanish and we
could be together, heading for our little cottage at the lake.
Staring into space.... Then it wasn't just space. There were these two
big ball bearings in front of me, about three feet in diameter, if you
could say they had a diameter. They looked like ball bearings because
their surfaces were shiny, mirrorlike steel. But they had unevenly
spaced, smooth bumps. Something like the random knobs on a potato, so
they weren't really round at all.
The light from my lamp reflected crazily, and my own image gaped back
at me from their distorted, reflecting curves. Like the fun-mirrors at
the crazy-house, only crazier ... and not funny at all. Fear is never
funny. And I was afraid. I'll swear I could taste the terror. It was
salty on my tongue. When I tried to cry out, the roof of my mouth felt
like old concrete.
Then one of them spoke. "It's alive! Intelligent! It senses our
presence!"
I was receiving pure thought, not words. But man thinks only in words.
And their thoughts fished suitable words from my subconscious to frame
them for my assimilation.
Telepathy? Impossible! What common points of reference could I have
with these two unthinkably alien life-forms?
The answer whipped back at me on an intuitive, sub-vocal level: Thought
is a universal energy manifestation. Language is only the clumsy
vehicle for thought.
Between me and the aliens lay no such barrier.
"Obviously intelligent," the other agreed. "Feel those gamma
radiations? Too bad they're so weak. It would be interesting if he
could communicate with us."
I stammered aloud, "But—but I can communicate with you. I understand
every—"
They were paying no attention to my raspy words. "Yes, that's typical
of these ancient, organic life-forms. As I recall, they use some form
of physical vibration of their gaseous medium for communicating among
themselves—"
"Speaking of which," the other interrupted, "this particular gaseous
medium seems to contain oxygen. We'd best not remain overlong or we'll
corrode and catch hell when we return."
"Exude a little nickel if it irritates you. We'll catch hell anyway
when mother—"
Yes, that's the word that came to me!
"—discovers when we've been. I'm curious about these flesh and blood
creatures. I wonder who invented this clumsy monstrosity."
He meant me. He rolled a foot nearer, and the other followed with an
uncertain wobble. "I turned out better in the third grade."
"Liar! You nearly flunked meta-plastics."
"Well, you did flunk it, so who are you to—?"
"Just don't be over-critical. I think this one looks fairly practical.
Well-balanced—"
"That's just what I mean. Observe the unimaginative bisymmetry. Two
arms, two legs, two eyes, five fingers on each hand, five toes on each
foot. Surely, the inventor was a mechanic and no artist. In this light
gravity there was no need for—"
"And how would you improve the design, your high-and-mightiness?"
"First let's remove the covering."
My clothes left my body gently, but with the sound of violent tearing.
In two seconds I sat naked, my garments laid back like split bandages.
I shouted, "See here, for God's sakes!"
The aliens had made no visible move, yet they had wielded powerful
forces to strip everything I wore from my body, shirt, slacks,
underwear and even my shoes ... without so much as pinching my flesh.
I leaped to my feet naked as a straw. They were between me and the
door, but they seemed so clumsy.
"Watch it! He's alarmed. Don't let him escape!"
"Try and stop me!" I screamed, tensing my muscles for a leap over the
pair of intruders. Suddenly the air about my sweating body seemed to
thicken to the viscosity of molasses. I could breathe it all right, but
quick motion was denied me. My grand leap died before my right foot
left the floor. I retreated to my chair in slow-motion panic, sinking
slowly through the clabbered atmosphere, to a sitting position on my
torn clothing.
"Yes, a very clumsy, unesthetic life-form. In fact the bisymmetry
fairly nauseates me. Granted that the two arms are practical, doubtless
one or the other does 90% of all work. So why have them of equal
importance? See here, I'll demonstrate...."
"Wait!" the other cautioned. "This is a sentient creature. You can't
operate without...."
"Of course not!"
Something buzzed in my spine, and I blanked out. For the space of one
breath, it seemed.
"There, that's better."
"I guess I must agree with you."
A faint tingle in my left arm caused me to stare at it. Unbelievingly!
Its length was the same, but its diameter was reduced to two-thirds,
and there were two fingers missing on the hand. The opposable thumb
remained, but it now had more the appearance of a claw than a human
hand. I tried to scream, but the sound was a glutinous bubble of air
that never reached my lips.
"How about the pedal appendages?"
"Well—" there was some hesitation. "Considering the method of
locomotion, bisymmetry seems more justified there. However, why
bilateral? Why not quadrilateral?"
"Because the organs of sight face only one way."
"I can fix that, too."
My spine buzzed, and when I looked down again a flood of peculiar
changes had taken place. My ankles terminated in the middle of my feet,
and my heels had disappeared. In their place were toes.
"You see, with the double-hinged knee-joint, he can travel forward or
backward now without pivoting...."
Then I became aware that I could look forward and backward at the
same time.
"That thing in the middle is certainly superfluous."
"Yes."
Buzz!
It was gone.
"A tentacle fastened, say, to the right hip-bone could be very useful."
Buzz!
My right hip tingled. From it protruded a whip-like appendage some
eight feet long, brown and leathery, tapering to the diameter of a
pencil and terminating in a pink flesh-pad richly supplied with sensory
buds. I could feel every hair in the nap of the carpet on which it
rested—feel, taste, smell and hear! Four sense organs in one!
"Now we are making progress!" came the exclamation.
Buzz! Buzz! Buzz!
The instant-seeming anesthetic moments came upon me in quick
succession, and each left me bereft of some standard, human equipment
or in the possession of some extra-normal addition to my anatomy—with
no more sensation than the slight tingle I have mentioned.
From their mental remarks I conclude that I lost my vermiform appendix,
tonsils and a mole on my left shoulder blade. Most of the other items
which I acquired were too grotesque to describe further.
"The two additional cardiac structures and the adrenal adjustments
should assure some likelihood of immortality," one of the intruders was
explaining.
"Which would probably bring about over-population in ten generations,"
the other reminded him.
"Ah, yes. I should compensate for that."
Buzz, and he did!
"I'm corroding."
"Exude some chrome as I told you."
"I think I hear mother calling, anyway. Let's go before she—"
They were too late. A third bumpy ball-bearing materialized behind the
two aliens, and instantly a barrage of maternal scolding dominated the
ether. "I've been searching the whole continuum for you two! What are
you doing back here?"
"We were just about to return, Mother."
"That's the truth, Mother. We just broke through here so we could
practice our advanced—"
"Practice!" Mother exclaimed. "Practice on this poor, primitive,
organic creature?"
I felt poor and primitive indeed. Paralyzed with fear, my only wonder
now was that apparently I had retained my sanity throughout this
waking nightmare.
"We didn't hurt him."
"You put him back the way you found him, do you understand? Do it right
this instant!"
"Yes, Mother. Let's see, how did we find him?"
"Simple bilateral symmetry, stupid!"
"Oh, yes, two of everything except—"
"Hold it! Remember the anaesthesia."
Buzz!
When I awakened this time they were gone. My electric clock hummed
softly on the mantle, revealing the nonsensical information that less
than an hour had passed since my visitors first arrived.
I staggered to my feet, bracing myself against the thick air, but the
air was just ordinary, thin, substanceless air again. My hand dropped
to my right hip.
The tentacle was gone.
"Thank God!" I breathed, and for an instant my common sense tried to
insist that I had merely fallen asleep for a few minutes and dreamed
the whole fantastic sequence.
But no! Why would I be stark naked? And why were my clothes lying
ruined in my chair like bandages split with a huge razor?
I clenched my left fist and gained comfort from the reassuring pressure
of four fingers and a thumb in my palm. But then I stepped into my
bedroom and stood before my full-length mirror—where I have stood
rooted ever since.
And the question revolves in my brain, punctuated only by my profanity
and sobs of despair. How can I marry Betty now? How can I face her, let
alone marry her?
What woman on earth could bring herself to marry a man with no
navel ... and two heads?
*** END OF THE PROJECT GUTENBERG EBOOK KID STUFF ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at
www.gutenberg.org. If you
are not located in the United States, you will have to check the laws
of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg™ trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg™
works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility:
www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.