The Project Gutenberg eBook of Placebo, by David Mason.

Produced by: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

The object appeared in the middle of Main Way, about fifty feet from the statue of Vachel Lindsay, and at least a hundred from anything else. It was much too big and complicated to have been hidden anywhere, and it hadn't any wheels, tracks, wings, or other visible means of movement.

Corrigan, looking the object over, decided that it could not have come from any logical place in the world. Not being prejudiced, he then thought a little about the illogical places, and the places that weren't in the world. Corrigan decided that it must be another attempt at time travel, and he clucked his tongue sympathetically.

Well, someone had to break the news. Corrigan arose from the grass and walked toward the object.

There was a young man sitting in the object, on a sort of high saddle. He looked a little wild-eyed, and he seemed to be talking to himself, as he pulled and twisted at the rows of controls in front of him. Corrigan, looking up at him, decided that he couldn't be very healthy, and that the stiff gray garments he wore must be extremely uncomfortable.

"You're speaking Anglish!" the young man exclaimed. "Good! Maybe I can get some help here. What year is this?"

"I've just left 1955," he said unhappily. "Four times, in fact. Four different 1955's. And each one's a bit worse. Now the machine won't work."

"Your theory's wrong," Corrigan said calmly. "Hasn't it occurred to you yet that time travel might be impossible?"

The young man made a choked sound. He began to climb down from his perch, keeping his eyes fixed suspiciously on Corrigan as he did so. He saw Corrigan as a small brown man, dressed in loose blue trousers, barefooted, and with a puff of white hair that seemed never to have been properly cut. The lawns and grassy roads, the bright and impermanent-looking buildings, and Corrigan himself, all added up to one thing in the young man's mind.

"You're wrong," Corrigan said. "I'm not a lunatic, and this isn't an asylum. We don't have them."

"More or less," Corrigan said. "It saves time. For instance, you're Darwin Lenner, and you'd like very much to get back to wherever you started from. In fact, you have to, or something unpleasant might happen to you, by your standards."

"I'd be absent without permission," Lenner admitted. "I ... I wish you wouldn't do that."

"Only when absolutely necessary," Corrigan smiled. "I'm a philosopher by trade, myself, not a mind reader. My name's Philip Corrigan, and I'd be very glad to help you on your way ... but I think it might be a little difficult. We aren't really a very mechanically-minded people here."

Lenner ran his hands through his hair. "I've got to get back. Isn't there anybody who knows something about time machines?"

Corrigan had been thinking swiftly. He had also been carrying on a conversation which Lenner could not possibly hear, with a man who was several miles away.

"Most of them don't. They go traveling around hit-or-miss through probability under the operator's own mental steam—but this fellow probably comes from a world where an idea like that's illegal."

"Sounds like it. Corrigan, take him on a guided tour or something, and keep him busy. I'll be over as soon as I can. I'm going to do something for his self-confidence. Here's the story to give him...."

Corrigan had always enjoyed conducting guided tours, and he was enjoying this one especially well. He had a slightly wicked taste for complicated teasing, and Lenner was a perfect object. He had evidently come from one of the more unpleasant probabilities, a world full of complex rules and harshly restrictive; everything that he saw bothered him. The handsome girls, wearing unstrategically placed flowers and very little else; the flocks of children, as plentiful as pigeons and apparently as free of supervision; the almost total absence of anybody actually performing useful work ... all of it contributed to Lenner's increasing nervousness.

The guided tour went in a wide circle, and Lenner and Corrigan wound up sitting in a tavern facing on Main Way. Lenner ignored the green drink before him and peered unhappily out the big window toward his machine.

"No." He spoke almost apologetically, "I'm sorry ... well, look, old fellow, no hard feelings, I hope. But this world of yours is primitive. Degenerate, I'd say."

"No laws—not even morals! Those girls ... and of course, you don't have any civilized advantages. Not even ground transportation. That man you spoke of has to walk here. And that's something else I don't understand. You say he's another time traveler...."

"All right, probability. Why does he stay here? Why would a really intelligent man give up civilization?"

"Well, you know how it is. He's gone native, you might say. Life among the lotus eaters, and all that. Might happen to anybody, even yourself."

"It's all right, though." Corrigan continued. "He'll be here any minute, and I'm sure he'll be able to help. Knows all there is to know about these machines. In fact, here he comes now."

Burwell entered, and Corrigan could hardly suppress a small chuckle. Burwell had picked up Lenner's ideas about what a man of intelligence and authority ought to look like, and had gone to some trouble to look the part. He was wearing a uniform of some sort, spectacles, and an expression of extreme wisdom.

"I'm sure I can repair what's wrong," Burwell told Lenner. "Let's go and look at your machine."

Arriving, Burwell climbed over the mechanism with an air of bored ability, occasionally thumping at something, adjusting something else, or hitting a part with a tool until it rang. He muttered to himself as he worked, allowing the sound of his musings to drift in Lenner's direction.

"Umm ... badly twisted impeller ... the varish is more or less waffled ... let's see if ... ah, there we are."

"Fine machine you've got there, my boy. It'll take you back to your own place quite easily now. There wasn't a thing wrong except the drift crotch. However, I wouldn't use it again if I were you. There's no real control on these things. A man could end up anywhere. And of course, you'd never find your way back here, without control."

"Well, thanks..." Lenner said doubtfully. He glanced around. "It's a shame there's no way we could regularly communicate between our worlds. There's a lot we could do for this one."

"I'm sure of that," Burwell said, hastily looking away. "But it isn't worth the danger and difficulty of reaching us. For myself, it doesn't matter any more." He assumed a nobly tragic expression. "But you are young; you've got your life ahead of you; your State and your society need you. I'm glad to help you on your way."

"I've convinced him that the thing works, and that it would not be easy to come back. Actually, that machine of his is a real work of art. It doesn't do a damn thing. This boy comes from a place where they have to have a mechanical crutch for everything. His gadgets are pink pill stuff ... something to convince him he can do things he could do anyway. All we have to do now is give him a small mental shove to help him along, and he'll be home in no time. All right, now—SHOVE!"

Corrigan and Burwell shoved. Lenner and his machine faded and were gone, leaving only a flattened place on the grass.

"Brrr," Burwell said. "Am I glad that worked! If he'd stayed another week or so we would have had our first lunatic of the century."

"Or worse," Corrigan said, stirring the grass with his toes. "Did you get what he was thinking about when he talked about his world and ours getting into touch, and civilizing us?"

"I got it, all right." Burwell said. "The fellow's mind was a swamp. A real primitive. And just like any other primitive, all he needed was a placebo from a witch doctor. Me, in my savage regalia. Just let me get this thing with the glass in it off my nose, and these button things opened up a bit, and we can get on with that chess game. I hope the next traveler picks somewhere else to land, though—I've never felt so silly in my life!"

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

PLACEBO

By DAVID MASON