Chapter 4: Time and Plot
§4.1. The Passage Of Time; §4.2. Scripted Scenes; §4.3. Event Scheduling; §4.4. Scene Changes; §4.5. Flashbacks; §4.6. Plot Management
![]() | Contents of The Inform Recipe Book |
![]() | Chapter 3: Place |
![]() | Chapter 5: The Viewpoint Character |
![]() | Indexes of the examples |
§4.1. The Passage Of Time
A game that makes heavy use of time may want to give the player a hint that time is important - and an easy way to keep track of how it's going - by adding the current time to the status line, instead of the score. To do this, we would write
When play begins: change the right hand status line to "[time of day]".
All else being equal, time passes at a rate of one minute per turn. But this need not be so: we can imagine a game where turns take much less time, or much more; or a game in which the passage of time was sometimes suspended, or one in which different actions required different amounts of time to perform.
Situation Room provides a way to print 24-hour time, while Zqlran Era 8 implements a completely new measurement of time, for a game set on an alien world.
Uptempo and The Hang of Thursdays speed up time's passage: turns take fifteen minutes in the former, or a quarter day in the latter.
Timeless makes certain actions instant, so that they don't count against the clock; this is sometimes useful in timed situations where the player needs to review the situation before going on with a tricky puzzle. Endurance systematically extends this idea to allow us to assign different durations to any action in the game. The Big Sainsbury's goes the opposite direction, and meticulously adds a minute to the clock for all implicit take actions, just so that the player isn't allowed to economize on moves.
An alternative approach to time is not to tell the player specifically what hour of the day it is at all, but to move from one general time period to another as it becomes appropriate - when the player has solved enough puzzles, or worked his way through enough of the plot. To this end we might use scenes representing, say, Thursday afternoon and then Thursday evening; then our scene rules, rather than the clock, would determine when Thursday afternoon stopped and Thursday evening began:
Thursday afternoon is a scene. Thursday evening is a scene.
Thursday afternoon ends when the player carries the portfolio.
Thursday evening begins when Thursday afternoon ends.
When Thursday evening begins:
say "The great clock over St. Margaret's begins to chime 6.";
Though this gives time a loose relation to the number of turns played, it feels surprisingly realistic: players tend to think of time in a game in terms of the number of significant moves they made, while the random wandering, taking inventory, and looking at room descriptions while stuck don't make as big an impression. So advancing the game clock alongside the player's puzzle solutions or plot progress can work just as well as any stricter calculation.
See Passers-By, Weather and Astronomical Events for cycles of day and night scenes
See Waiting, Sleeping for commands to let the player wait until a specific time or for a specific number of minutes
See Clocks and Scientific Instruments for clocks that can be set to times and that have analog or digital read-outs
See Timed Input for discussion of extensions allowing real-time input
![]() | Start of Chapter 4: Time and Plot |
![]() | Back to Chapter 3: Place: §3.9. Passers-By, Weather and Astronomical Events |
![]() | Onward to §4.2. Scripted Scenes |
Though Inform normally prints times in AM/PM terms, it stores the hours and minutes as 24-hour time; so, if we like, we can easily extract that information again thus:
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Though Inform normally prints times in AM/PM terms, it stores the hours and minutes as 24-hour time; so, if we like, we can easily extract that information again thus:
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