The Project Gutenberg EBook of Index of The Project Gutenberg Works of Gilbert K. Chesterton, by Gilbert K. Chesterton This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of The Project Gutenberg Works of Gilbert K. Chesterton Author: Gilbert K. Chesterton Editor: David Widger Release Date: October 5, 2018 [EBook #58032] Last Updated: January 31, 2019 Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF CHESTERTON *** Produced by David Widger
      
 
    
      
 
    
      
 
    

 
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
    
      
    
      
 
    
      
 
    
      
    
      
 
    
| FIVE — The Mistake of the Machine EIGHT — The Perishing of the Pendragons TEN — The Salad of Colonel Cray | 
      
 
    
      
 
    
      
    
      
    
      1. Introductory
      Remarks on the Importance of Othodoxy
 2. On the
      Negative Spirit
 3. On Mr.
      Rudyard Kipling and Making the World Small
 4. Mr.
      Bernard Shaw
 5. Mr. H. G.
      Wells and the Giants
 6. Christmas
      and the Esthetes
 7. Omar and
      the Sacred Vine
 8. The
      Mildness of the Yellow Press
 9. The Moods
      of Mr. George Moore
 10. On
      Sandals and Simplicity
 11. Science
      and the Savages
 12. Paganism
      and Mr. Lowes Dickinson
 13. Celts and
      Celtophiles
 14. On
      Certain Modern Writers and the Institution of the Family
 15. On Smart
      Novelists and the Smart Set
 16. On Mr.
      McCabe and a Divine Frivolity
 17. On the
      Wit of Whistler
 18. The
      Fallacy of the Young Nation
 19. Slum
      Novelists and the Slums
 20. Concluding
      Remarks on the Importance of Orthodoxy
    
      
 
    
      
 
    
      
    
      
 
    
A WILD, MAD, HILARIOUS AND PROFOUNDLY MOVING TALE
THE MAN WHO WAS THURSDAY
CHAPTER I. THE TWO POETS OF SAFFRON PARK
CHAPTER II. THE SECRET OF GABRIEL SYME
CHAPTER III. THE MAN WHO WAS THURSDAY
CHAPTER IV. THE TALE OF A DETECTIVE
CHAPTER V. THE FEAST OF FEAR
CHAPTER VI. THE EXPOSURE
CHAPTER VII. THE UNACCOUNTABLE CONDUCT OF PROFESSOR DE WORMS
CHAPTER VIII. THE PROFESSOR EXPLAINS
CHAPTER IX. THE MAN IN SPECTACLES
CHAPTER X. THE DUEL
CHAPTER XI. THE CRIMINALS CHASE THE POLICE
CHAPTER XII. THE EARTH IN ANARCHY
CHAPTER XIII. THE PURSUIT OF THE PRESIDENT
CHAPTER XIV. THE SIX PHILOSOPHERS
CHAPTER XV. THE ACCUSER
      
 
    
      
 
    
      
    
      
 
    
| Chapter 1. | The Tremendous Adventures of Major Brown | 
| Chapter 2. | The Painful Fall of a Great Reputation | 
| Chapter 3. | The Awful Reason of the Vicar's Visit | 
| Chapter 4. | The Singular Speculation of the House-Agent | 
| Chapter 5. | The Noticeable Conduct of Professor Chadd | 
| Chapter 6. | The Eccentric Seclusion of the Old Lady | 
      
 
    
      
 
    
      
    
      
    
      
    
>
PART ONE. THE HOMELESSNESS OF MAN
II. WANTED, AN UNPRACTICAL MAN
VIII. THE WILDNESS OF DOMESTICITY
IX. HISTORY OF HUDGE AND GUDGE
      
    
PART TWO. IMPERIALISM, OR THE MISTAKE ABOUT MAN
      
    
PART THREE. FEMINISM, OR THE MISTAKE ABOUT WOMAN
III. THE EMANCIPATION OF DOMESTICITY
VII. THE MODERN SURRENDER OF WOMAN
VIII. THE BRAND OF THE FLEUR-DE-LIS
XI. THE QUEEN AND THE SUFFRAGETTES
      
    
PART FOUR. EDUCATION: OR THE MISTAKE ABOUT THE CHILD
III. THE TRICKS OF ENVIRONMENT
VII. THE HUMILITY OF MRS. GRUNDY
X. THE CASE FOR THE PUBLIC SCHOOLS
XII. THE STALENESS OF THE NEW SCHOOLS
XIV. FOLLY AND FEMALE EDUCATION
      
    
II. THE FALLACY OF THE UMBRELLA STAND
III. THE DREADFUL DUTY OF GUDGE
      
    
II. ON CLEANLINESS IN EDUCATION
III. ON PEASANT PROPRIETORSHIP
      
 
    
      
 
    
      
 
    
Part I — THE ENIGMAS OF INNOCENT SMITH
Chapter I — How the Great Wind Came to Beacon House
Chapter II — The Luggage of an Optimist
Chapter III — The Banner of Beacon
Chapter IV — The Garden of the God
Chapter V — The Allegorical Practical Joker
      
    
Part II — THE EXPLANATIONS OF INNOCENT SMITH
Chapter I — The Eye of Death; or, the Murder Charge
Chapter II — The Two Curates; or, the Burglary Charge
Chapter III — The Round Road; or, the Desertion Charge
Chapter IV — The Wild Weddings; or, the Polygamy Charge
Chapter V — How the Great Wind Went from Beacon House
      
 
    
      
 
    
      
 
    
      
    
      
 
    
| BOOK I. THE VISION OF THE KING BOOK II. THE GATHERING OF THE CHIEFS BOOK IV. THE WOMAN IN THE FOREST BOOK V. ETHANDUNE: THE FIRST STROKE BOOK VI. ETHANDUNE: THE SLAYING OF THE CHIEFS | 
      
 
    
      
 
    
      
 
    
      
    
III. THE SOUL OF THE SCHOOLBOY
VIII. THE VENGEANCE OF THE STATUE
      
 
    
      
 
    
      
    
      
 
    
|  | 
      
 
    
      
 
    
      
    
      
 
    
      
 
    
      
 
    
      
 
    
A WORKMAN’S HISTORY OF ENGLAND
THE FRENCH REVOLUTION AND THE IRISH
      
 
    
      
 
    
      
    
      
 
    
I. A DISCUSSION SOMEWHAT IN THE AIR
II. THE RELIGION OF THE STIPENDIARY MAGISTRATE
III. SOME OLD CURIOSITIES
IV. A DISCUSSION AT DAWN
V. THE PEACEMAKER
VI. THE OTHER PHILOSOPHER
VII. THE VILLAGE OF GRASSLEY-IN-THE-HOLE
VIII. AN INTERLUDE OF ARGUMENT
IX. THE STRANGE LADY
X. THE SWORDS REJOINED
XI. A SCANDAL IN THE VILLAGE
XII. THE DESERT ISLAND
XIII. THE GARDEN OF PEACE
XIV. A MUSEUM OF SOULS
XV. THE DREAM OF MACIAN
XVI. THE DREAM OF TURNBULL
XVII. THE IDIOT
XVIII. A RIDDLE OF FACES
XIX. THE LAST PARLEY
XX. DIES IRAE
      
 
    
      
 
    
      
    
      
 
    
PREFACE
I. Tremendous Trifles
II. A Piece of Chalk
III. The Secret of a Train
IV. The Perfect Game
V. The Extraordinary Cabman
VI. An Accident
VII. The Advantages of Having One Leg
VIII. The End of the World
IX. In the Place de La Bastille
X. On Lying in Bed
XI. The Twelve Men
XII. The Wind and the Trees
XIII. The Dickensian
XIV. In Topsy-Turvy Land
XV. What I Found in My Pocket
XVI. The Dragon's Grandmother
XVII. The Red Angel
XVIII. The Tower
XIX. How I Met the President
XX. The Giant
XXI. A Great Man
XXII. The Orthodox Barber
XXIII. The Toy Theatre
XXIV. A Tragedy of Twopence
XXV. A Cab Ride Across Country
XXVI. The Two Noises
XXVII. Some Policemen and a Moral
XXVIII. The Lion
XXIX. Humanity: an Interlude
XXX. The Little Birds Who Won't Sing
XXXI. The Riddle of the Ivy
XXXII. The Travellers in State
XXXIII. The Prehistoric Railway Station
XXXIV. The Diabolist
XXXV. A Glimpse of My Country
XXXVI. A Somewhat Improbable Story
XXXVII. The Shop Of Ghosts
XXXVIII. The Ballade of a Strange Town
XXXIX. The Mystery of a Pageant
      
 
    
      
 
    
      
    
      
 
    
The Philosophy of Sight-seeing
The Steward of the Chiltern Hundreds
      
 
    
      
 
    
      
    
      
 
    
      
 
    
      
 
    
     CHAPTER I
     SOME WORDS TO PROFESSOR WHIRLWIND
     The German Professor, his need of Education
     for Debate—Three Mistakes of German
     Controversialists—The Multiplicity of
     Excuses—Falsehood against Experience—
     Kultur preached by Unkultur—The Mistake
     about Bernard Shaw—German Lack of
     Welt-Politik—Where England is really
     Wrong.
     CHAPTER II
     THE PROTESTANT HERO
     Suitable Finale for the German Emperor—Frederick
     II. and the Power of
     Fear—German Influence in England since
     Lather—Our German Kings and Allies—
     Triumph of Frederick the Great.
     CHAPTER III
     THE ENIGMA OF WATERLOO
     How we helped Napoleon—The Revolution
     and the Two Germanics—Religious
     Resistance of Austria and Russia—Irreligious
     Resistance of Prussia and England—Negative
     Irreligion of England—its Idealism
     in Snobbishness—Positive Irreligion of
     Prussia; no Idealism in Anything—Allegory
     and the French Revolution—The Dual
     Personality of England; the Double Battle—Triumph
     of Blucher.
     CHAPTER IV
     THE COMING OF THE JANISSARIES
     The Sad Story of Lord Salisbury—Ireland
     and Heligoland—The Young Men of
     Ireland—The Dirty Work—The Use of
     German Mercenaries—The Unholy Alliance—Triumph
     of the German Mercenaries.
     CHAPTER V
     THE LOST ENGLAND
     Truth about England and Ireland—Murder
     and the Two Travellers—Real Defence
     of England—The Lost Revolution—Story
     of Cobbett and the Germans—Historical
     Accuracy of Cobbett—Violence of the English
     Language—Exaggerated Truths versus
     Exaggerated Lies—Defeat of the People—Triumph
     of the German Mercenaries.
     CHAPTER VI
     HAMLET AND THE DANES
     Degeneration of Grimm's Fairy Tales—From
     Tales of Terror to Tales of Terrorism—German
     Mistake of being Deep—The
     Germanisation of Shakespeare—Carlyle and
     the Spoilt Child—The Test of Teutonism—
     Hell or Hans Andersen—Causes of English
     Inaction—Barbarism and Splendid Isolation—
     The Peace of the Plutocrats—Hamlet
     the Englishman—The Triumph of Bismarck.
     CHAPTER VII
     THE MIDNIGHT OF EUROPE
     The Two Napoleons—Their Ultimate
     Success—The Interlude of Sedan—The
     Meaning of an Emperor—The Triumph of
     Versailles—The True Innocence of England—
     Triumph of the Kaiser.
     CHAPTER VIII
     THE WRONG HORSE
     Lord Salisbury Again—The Influence of
     1870—The Fairy Tale of Teutonism—The
     Adoration of the Crescent—The Reign of
     the Cynics—Last Words to Professor
     Whirlwind.
     CHAPTER IX
     THE AWAKENING OF ENGLAND
     The March of Montenegro—The Anti-Servile
     State—The Prussian Preparation—The
     Sleep of England—The Awakening of
     England.
     CHAPTER X
     THE BATTLE OF THE MARNE
     The Hour of Peril—The Human Deluge—The
     English at the Marne.
    
      
 
    
CHAPTER I. — Some Words to Professor Whirlwind
CHAPTER II. — The Protestant Hero
CHAPTER III. — The Enigma of Waterloo
CHAPTER IV. — The Coming of the Janissaries
CHAPTER VI. — Hamlet and the Danes
CHAPTER VII. — The Midnight of Europe
CHAPTER VIII. — The Wrong Horse
CHAPTER IX. — The Awakening of England
CHAPTER X. — The Battle of the Marne
      
 
    
      
 
    
      
 
    
INTRODUCTION: THE FACTS OF THE CASE.
II. THE REFUSAL OF RECIPROCITY
      
 
    
      
 
    
      
    
II. THE REFUSAL OF RECIPROCITY
      
 
    
      
 
    
      
    
THE BALLAD OF THE BATTLE OF GIBEON
      
 
    
      
 
    
      
 
    
      IN
      DEFENCE OF A NEW EDITION
 INTRODUCTION
      A
      DEFENCE OF PENNY DREADFULS
 A
      DEFENCE OF RASH VOWS
 A
      DEFENCE OF SKELETONS
 A
      DEFENCE OF PUBLICITY
 A
      DEFENCE OF NONSENSE
 A
      DEFENCE OF PLANETS
 A
      DEFENCE OF CHINA SHEPHERDESSES
 A
      DEFENCE OF USEFUL INFORMATION
 A
      DEFENCE OF HERALDRY
 A
      DEFENCE OF UGLY THINGS
 A
      DEFENCE OF FARCE
 A
      DEFENCE OF HUMILITY
 A
      DEFENCE OF SLANG
 A
      DEFENCE OF BABY-WORSHIP
 A
      DEFENCE OF DETECTIVE STORIES
 A
      DEFENCE OF PATRIOTISM
    
      
 
    
      
 
    
      
 
    
      CHARLOTTE
      BRONTË
 WILLIAM
      MORRIS AND HIS SCHOOL
 THE
      OPTIMISM OF BYRON
 POPE
      AND THE ART OF SATIRE
 FRANCIS
      ROSTAND
      CHARLES
      II
 STEVENSON
      THOMAS
      CARLYLE
 TOLSTOY
      AND THE CULT OF SIMPLICITY
 SAVONAROLA
      THE
      POSITION OF SIR WALTER SCOTT
    
      
 
    
      
 
    
      
    
      
    
      
    
      
 
    
      
 
    
      
    
CHAPTER I. — THE WAY OF THE CITIES
CHAPTER II. — THE WAY OF THE DESERT
CHAPTER III. — THE GATES OF THE CITY
CHAPTER IV. — THE PHILOSOPHY OF SIGHT-SEEING
CHAPTER V. — THE STREETS OF THE CITY
CHAPTER VI. — THE GROUPS OF THE CITY
CHAPTER VII. — THE SHADOW OF THE PROBLEM
CHAPTER VIII. — THE OTHER SIDE OF THE DESERT
CHAPTER IX. — THE BATTLE WITH THE DRAGON
CHAPTER X. — THE ENDLESS EMPIRE
CHAPTER XI. — THE MEANING OF THE CRUSADE
CHAPTER XII. — THE FALL OF CHIVALRY
CHAPTER XIII. — THE PROBLEM OF ZIONISM
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
| CHAP. | PAGE | |
|---|---|---|
| Introduction | 7 | |
| I | The Victorian Compromise and its Enemies | 12 | 
| II | The Great Victorian Novelists | 90 | 
| III | The Great Victorian Poets | 156 | 
| IV | The Break-up of the Compromise | 204 | 
| Bibliographical Note | 253 | |
| Index | 255 | |
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
    
| PART I The False Theory | ||
| CHAPTER | PAGE | |
| 1. | What is Eugenics? | 3 | 
| 2. | The First Obstacles | 12 | 
| 3. | The Anarchy from Above | 22 | 
| 4. | The Lunatic and the Law | 31 | 
| 5. | The Flying Authority | 46 | 
| 6. | The Unanswered Challenge | 61 | 
| 7. | The Established Church of Doubt | 73 | 
| 8. | A Summary of a False Theory | 82 | 
| PART II The Real Aim | ||
| 1. | The Impotence of Impenitence | 91 | 
| 2. | True History of a Tramp | 101 | 
| 3. | True History of a Eugenist | 114 | 
| 4. | The Vengeance of the Flesh | 126 | 
| 5. | The Meanness of the Motive | 136 | 
| 6. | The Eclipse of Liberty | 148 | 
| 7. | The Transformation of Socialism | 159 | 
| 8. | The End of the Household Gods | 169 | 
| 9. | A Short Chapter | 180 | 
| Index | 185 | |
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      I
      
 THREE DEDICATIONS
 
 TO
      EDMUND CLERIHEW BENTLEY
 TO
      HILAIRE BELLOC
 TO
      M. E. W.
 
 II
      
 WAR POEMS
 
 LEPANTO
      THE
      MARCH OF THE BLACK MOUNTAIN 1913
 BLESSED
      ARE THE PEACEMAKERS
 THE
      WIFE OF FLANDERS
 THE
      CRUSADER RETURNS FROM CAPTIVITY
 
 III
      
 LOVE POEMS
 
 GLENCOE
      LOVE'S
      TRAPPIST
 CONFESSIONAL
      MUSIC
      THE
      DELUGE
 THE
      STRANGE MUSIC
 THE
      GREAT MINIMUM
 THE
      MORTAL ANSWERS
 A
      MARRIAGE SONG
 BAY
      COMBE
 
 IV
      
 RELIGIOUS POEMS
 
 THE
      WISE MEN
 THE
      HOUSE OF CHRISTMAS
 A
      SONG OF GIFTS TO GOD
 THE
      KINGDOM OF HEAVEN
 A
      HYMN FOR THE CHURCH MILITANT
 THE
      BEATIFIC VISION
 THE
      TRUCE OF CHRISTMAS
 A
      HYMN
 A
      CHRISTMAS SONG FOR THREE GUILDS
 THE
      NATIVITY
 A
      CHILD OF THE SNOWS
 A
      WORD
 
 V
      
 RHYMES FOR THE TIMES
 
 ANTICHRIST,
      OR THE REUNION OF CHRISTENDOM: AN ODE
 THE
      REVOLUTIONIST, OR LINES TO A STATESMAN
 THE
      SHAKESPEARE MEMORIAL
 THE
      HORRIBLE HISTORY OF JONES
 THE
      NEW FREETHINKER
 IN
      MEMORIAM P.D.
 SONNET
      WITH THE COMPLIMENTS OF THE SEASON
 A
      SONG OF SWORDS
 A
      SONG OF DEFEAT
 SONNET
      AFRICA
      THE
      DEAD HERO
 AN
      ELECTION ECHO 1906
 THE
      SONG OF THE WHEELS
 THE
      SECRET PEOPLE
 
 VI
      
 MISCELLANEOUS POEMS
 
 LOST
      BALLAD
      OF THE SUN
 TRANSLATION
      FROM DU BELLAY
 THE
      HIGHER UNITY
 THE
      EARTH'S VIGIL
 ON
      RIGHTEOUS INDIGNATION
 WHEN
      I CAME BACK TO FLEET STREET
 A
      CIDER SONG
 THE
      LAST HERO
 
 VII
      
 BALLADES
 
 BALLADE
      D'UNE GRANDE DAME
 A
      BALLADE OF AN ANTI-PURITAN
 A
      BALLADE OF A BOOK-REVIEWER
 A
      BALLADE OF SUICIDE
 A
      BALLADE OF THE FIRST RAIN
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
| Page | |
| The Englishman | 9 | 
| Wine and Water | 11 | 
| The Song against Grocers | 15 | 
| The Rolling English Road | 20 | 
| The Song of Quoodle | 24 | 
| Pioneers, O Pioneers | 27 | 
| The Logical Vegetarian | 31 | 
| “The Saracen's Head” | 34 | 
| The Good Rich Man | 37 | 
| The Song against Songs | 42 | 
| Me Heart | 45 | 
| The Song of the Oak | 49 | 
| The Road to Roundabout | 53 | 
| The Song of the Strange Ascetic | 57 | 
| The Song of Right and Wrong | 60 | 
| Who Goes Home? | 63 | 
      
 
    
      
 
    
      Compiled from the Writings of
 'G.K.C.' Both in Verse and in
      Prose. With a section apart for
 the Moveable Feasts.
    
      
 
    
| Prefatory Note | 
| January | 
| February | 
| March | 
| April | 
| May | 
| June | 
| July | 
| August | 
| September | 
| October | 
| November | 
| December | 
| The Moveable Feasts | 
      
 
    
      
 
    
      
 
    
        Introductory
        Remarks
 Sir
        Christopher Wren
 Miguel
        de Cervantes
 George
        Bernard Shaw
 Sir
        Humphrey Davy
 J.
        S. Mill
 François
        Liszt
 Lord
        Clive
 King
        Edward the Confessor
 The
        Rev. John Clifford, M.A., LL.B., D.D.
 Messrs
        Chapman & Hall
 Karl
        Marx
 Otto
        the Great
 Marconi
        David
        Hume
 Mr
        H. Belloc
 Job
        Pizarro
        The
        Duke of Fife, K.T., P.C., G.C.V.O.
 The
        Duke of Wellington
 John
        Bunyan
 George
        Hirst
 Erasmus
        and the Humanists
 Besant
        and Rice
 Tiziano
        Vecelli
 Professor
        James Dewar, F.R.S.
 Sir
        Walter Raleigh
 Jane
        Austen
 Odo
        of Bayeux
 David
        Ricardo
 Sir
        Thomas à Mallory
 Mr
        Alfred Beit
 Cimabue
        President
        Roosevelt
 Robert
        Harley, Earl of Oxford
 Sir
        Alexander Fuller Acland-Hood, M.P.
 Mahomet
        Edvard
        Grieg
 Jan
        Van Eyck
 Mr
        T. Werner Laurie
 Index
        of Psychology
      
      
    
End of the Project Gutenberg EBook of Index of The Project Gutenberg Works
of Gilbert K. Chesterton, by Gilbert K. Chesterton
*** END OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF CHESTERTON ***
***** This file should be named 58032-h.htm or 58032-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/8/0/3/58032/
Produced by David Widger
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.
* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.